馃嚬馃嚦TunisiaNorth Africa
Sousse judicial police dismantle network involved in hacking foreign bank accounts
via Business News1 min read
Judicial police units in Sousse have arrested three young individuals, aged between 20 and 30, on suspicion of involvement in hacking foreign bank accounts. The arrests followed a police ambush at a local hotel. The suspects are believed to have transferred stolen funds to their own accounts and are also implicated in a fraud scheme targeting a commercial company in Sousse. Authorities seized significant sums of money, luxury cars, motorcycles, and computer equipment, all believed to be proceeds from the hacking activities. Several computers, mobile phones, and electronic payment terminals were also confiscated for investigation. Following consultation with the public prosecutor, the three suspects have been taken into custody as investigations continue to determine the full extent of the group's operations and any further connections.
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This summary was AI-generated from a story originally published by Business News.
Salah Farzit, a significant figure in Tunisian popular music and mezoued, passed away on Saturday, July 18, 2026, at the age of 73. Farzit had been admitted to a military hospital due to a health crisis. His career spanned over fifty years, during which he established a unique connection with his audience. Born on June 1, 1953, he emerged in the 1970s as a key artist in the evolution of Tunisian popular song. He was instrumental in transforming mezoued, a traditional musical genre, by infusing it with new artistic energy. At a time when mezoued was often marginalized in cultural institutions, Farzit contributed to its broader recognition. His powerful voice, sincere interpretations, and focus on daily realities made his songs a reflection of popular concerns and a platform for underrepresented stories. Beyond music, his work addressed social and human themes, advocating for dignity, freedom, and justice. His passing marks the loss of a cultural witness who gave voice to the emotions and realities of popular Tunisia, though his legacy endures through his songs.
Journalist Hichem Snoussi has been sentenced to six months in prison by the Tunis Court of First Instance. The case involves the publication of information concerning the ownership structure and identities of Nessma TV's owners. The complaint was filed several years ago by businessman Nabil Karoui, the founder of Nessma TV, during a period when Snoussi was a member of the Independent High Authority for Audiovisual Communication Haica. Snoussi stated that he was condemned in absentia without being informed of his trial. He has since filed an appeal against the judgment, leading to the case being postponed to a hearing scheduled for October. The published data regarding Nessma TV's capital composition and owners are considered information that should be publicly available, in line with transparency obligations for audiovisual media.
The National Syndicate of Tunisian Journalists SNJT has raised concerns about increasing judicial pressure on journalists in Tunisia, following recent convictions. On Saturday, July 18, 2026, the SNJT reacted to the appeals court sentencing of journalists Hamza Belloumi and Insaf Boughdiri to one year in prison each, along with an 8,000 dinar fine. This decision comes amidst a rise in prosecutions targeting media professionals, prompting professional organizations to worry about press freedom. The SNJT expressed solidarity with Belloumi and Boughdiri, urging the Tunis Court of Appeal to reconsider its judgment. The syndicate also criticized the use of judgments rendered in absentia, arguing that they deny journalists their right to defense. The case against Belloumi and Boughdiri dates back to May 2015, involving a video clip attributed to former President Moncef Marzouki, broadcast on Al Hiwar Ettounsi. The clip, initially presented as inciting violence, was later found to be edited and taken out of context. Marzouki had filed a complaint with the High Independent Authority for Audiovisual Communication Haica, which led to the temporary suspension of the show, and also initiated legal proceedings. Belloumi and Boughdiri stated they believed the matter was closed and that they were unable to fully exercise their right to defense. They had issued a correction and public apologies at the time, considering it a professional error. The SNJT emphasized the need to handle press-rel