
Driss El Yazami, in an interview, discussed the focus of the 13th edition of the Human Rights Forum on "world youth," highlighting its urgency due to the central role of youth in society and the numerous challenges they face. He noted that today's youth are growing up amidst multiplying crises, including a contested international order and a challenge to humanist values like equality, fraternity, pluralism, and democracy. The ecological crisis also adds to this complex global context. El Yazami identified war, authoritarianism, and obscurantism as major threats to freedom. He emphasized the fundamental link between peace and rights, drawing on his experience with the International Federation for Human Rights FIDH. Authoritarianism, he explained, stifles debate, peaceful dissent, and human creativity, while obscurantism, often fueled by certain ideologies, undermines fundamental rights like the right to life and restricts freedoms of expression and association. Regarding Moroccan youth abroad, El Yazami observed that they often express multiple identities, rejecting the pressure to choose a single belonging. He cited the 2011 Moroccan Constitution, particularly Article 16, which supports the rights and interests of Moroccans worldwide and encourages their contribution to Morocco's development while fostering ties with their countries of residence. This dual belonging, he noted, is a source of creativity, evident in the diverse languages used by Moroccan novelists today. On the
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This summary was AI-generated from a story originally published by Le Matin.
Must ReadA Moroccan study published in the scientific journal Discover Public Health indicates that 27% of surveyed students exhibit suicidal risk. The research involved 1,191 students from Abdelmalek Essa芒di University in T茅touan, encompassing six higher education institutions.

The 21st Mawazine Festival-Rythmes du Monde continued to captivate audiences in Rabat with a celebration of Moroccan culture on Tuesday, June 23, at the Mohammed V National Theater. The evening featured performances by Sanae Marahati and Nouamane Lahlou. Sanae Marahati, from Sefrou, opened the evening with qasidas from Moroccan Malhoun. During a press conference before her concert, she emphasized the importance of preserving and transmitting this intangible cultural heritage, calling it a "national duty" for artists and producers. For her second appearance at Mawazine, she compared Malhoun to wearing a caftan, a treasure honored on special occasions. Marahati also announced her new project, "Arassi Toub," a contemporary adaptation of a two-and-a-half-century-old Malhoun qasida, designed to connect younger generations with this ancestral art. Nouamane Lahlou followed with a musical fresco in four acts, accompanied by over 70 artists, including musicians, singers, dancers, and folk troupes. His performance showcased various aspects of Moroccan cultural identity, beginning with "Bladi Ya Zine Al Bouldane" and moving into an "anthropology of cities." Accompanied by folk troupes in traditional costumes, he highlighted regions and cities like Chefchaouen, Zagora, Ouazzane, Tafilalet, Marrakech, and Fes, through music, dance, and popular heritage. The third part of his show paid tribute to Abdelwahab Doukkali with a medley. Lahlou also explored the golden age of Arab song, blending

The Mawazine 2026 festival in Rabat featured performances by Lebanese artist Wael Kfoury and South Korean K-pop group Itzy. Wael Kfoury, returning to the festival after a long absence, performed his popular romantic Arabic songs for over 90 minutes on the Nahda stage. His performance created an atmosphere of nostalgia and emotion, with a multi-generational audience singing along. Meanwhile, on the OLM Souissi stage, Itzy delivered a dynamic K-pop show, combining vocals, synchronized choreography, and visual staging. The group performed their hit songs for a predominantly young and enthusiastic crowd, highlighting the growing popularity of Korean music in Morocco. The evening showcased Mawazine's ability to bring together diverse artistic styles, from romantic Arabic pop to energetic K-pop.