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ABA Technology and Numspot partner on sovereign AI development
via Le Matin1 min read
ABA Technology and Numspot announced a strategic partnership at VivaTech Paris to develop a new generation of sovereign AI services for public and private organizations in Europe and Africa. This collaboration combines Numspot's trusted cloud infrastructures with ABA Technology's Fusion AI technologies. The partnership will focus on computing solutions, data platforms, intelligent agents, specialized models, and operational execution systems. It targets sensitive and strategic sectors including administrations, critical infrastructure operators, industrial companies, healthcare institutions, and research organizations. The goal is to enable these entities to deploy secure, controlled, and scalable artificial intelligence capabilities. This alliance addresses growing concerns about digital sovereignty, data protection, and technological autonomy, emphasizing the importance of mastering AI infrastructures beyond just accessing AI models. Through this cooperation, ABA Technology and Numspot aim to foster a Euro-African sovereign artificial intelligence offering to support the digital transformation of public and private organizations.
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This summary was AI-generated from a story originally published by Le Matin.
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Driss El Yazami, in an interview, discussed the focus of the 13th edition of the Human Rights Forum on "world youth," highlighting its urgency due to the central role of youth in society and the numerous challenges they face. He noted that today's youth are growing up amidst multiplying crises, including a contested international order and a challenge to humanist values like equality, fraternity, pluralism, and democracy. The ecological crisis also adds to this complex global context. El Yazami identified war, authoritarianism, and obscurantism as major threats to freedom. He emphasized the fundamental link between peace and rights, drawing on his experience with the International Federation for Human Rights FIDH. Authoritarianism, he explained, stifles debate, peaceful dissent, and human creativity, while obscurantism, often fueled by certain ideologies, undermines fundamental rights like the right to life and restricts freedoms of expression and association. Regarding Moroccan youth abroad, El Yazami observed that they often express multiple identities, rejecting the pressure to choose a single belonging. He cited the 2011 Moroccan Constitution, particularly Article 16, which supports the rights and interests of Moroccans worldwide and encourages their contribution to Morocco's development while fostering ties with their countries of residence. This dual belonging, he noted, is a source of creativity, evident in the diverse languages used by Moroccan novelists today. On the
The 21st Mawazine Festival-Rythmes du Monde continued to captivate audiences in Rabat with a celebration of Moroccan culture on Tuesday, June 23, at the Mohammed V National Theater. The evening featured performances by Sanae Marahati and Nouamane Lahlou. Sanae Marahati, from Sefrou, opened the evening with qasidas from Moroccan Malhoun. During a press conference before her concert, she emphasized the importance of preserving and transmitting this intangible cultural heritage, calling it a "national duty" for artists and producers. For her second appearance at Mawazine, she compared Malhoun to wearing a caftan, a treasure honored on special occasions. Marahati also announced her new project, "Arassi Toub," a contemporary adaptation of a two-and-a-half-century-old Malhoun qasida, designed to connect younger generations with this ancestral art. Nouamane Lahlou followed with a musical fresco in four acts, accompanied by over 70 artists, including musicians, singers, dancers, and folk troupes. His performance showcased various aspects of Moroccan cultural identity, beginning with "Bladi Ya Zine Al Bouldane" and moving into an "anthropology of cities." Accompanied by folk troupes in traditional costumes, he highlighted regions and cities like Chefchaouen, Zagora, Ouazzane, Tafilalet, Marrakech, and Fes, through music, dance, and popular heritage. The third part of his show paid tribute to Abdelwahab Doukkali with a medley. Lahlou also explored the golden age of Arab song, blending