🇧🇫Burkina FasoWest Africa
Come-Back exhibition opens at National Museum of Burkina Faso featuring diaspora artists
via Lefaso.net2 min read
The "Come-Back" exhibition, featuring the artistic works of Hamed Ouattara, Kader Boly, and Harouna Ouédraogo, officially opened at the National Museum of Burkina Faso on Tuesday, April 21, 2026. After successful showings in the United States and other countries, the three artists chose to return to Burkina Faso to present their exhibition. "Come-Back" is described as a return to roots, fostering dialogue between Burkinabe artists living in the United States and their home country. Their works express both their connection to cultural roots and their openness to the world. Themes explored in "Come-Back" include the Sahel, spirituality, current events, living together, and African realities. The artists stated that the exhibition, organized as part of Burkinabe Heritage Month, aims to connect with the national public and will be open until June. Hamed Ouattara emphasized that the exhibition allows Burkinabe people to discover their creations, which have resonated with international audiences. The Director General of the National Museum, Sabari Christian Dao, noted that the exhibition aligns with national goals to promote cultural heritage, contemporary creation, and strengthen ties with the Burkinabe diaspora. He added that the exhibition is artistic, identity-focused, and commemorative, highlighting the creativity of Burkinabe artists living in the United States. The event was held under the patronage of the Minister of Communication, Culture, Arts and Tourism, represented by
Free daily or weekly digest of the most important stories from across 18 African countries. No spam, unsubscribe any time.
This summary was AI-generated from a story originally published by Lefaso.net.
The "SASA! Together" project has been launched to prevent violence against women and girls in Burkina Faso and Mali, countries facing security and humanitarian crises. The project's launch workshop brought together administrative authorities, technical services, civil society organizations, community leaders, and technical and financial partners. Discussions focused on the challenges of preventing and addressing violence in environments weakened by insecurity and population displacement. The project aims to present its objectives, methodology, and expected results; enhance understanding of issues related to violence against women and girls; engage stakeholders; and establish effective collaboration. Gender-based violence is a serious human rights violation and a barrier to sustainable development, particularly in the Sahel region. Women and girls are exposed to various forms of violence due to discriminatory social norms, structural power inequalities, and limited access to services. The three-and-a-half-year project seeks to reach nearly 200,000 people in Burkina Faso and Mali through awareness campaigns, community mobilization, and capacity building for those involved in combating gender-based violence. In Burkina Faso, the project will be implemented in Zagtouli and Zongo by the Association d'appui et d'éveil pugsada ADEP, and in Saaba and Nioko 1 by the Initiative pananetugri pour le bien-être de la femme IPBF. In Mali, it will be carried out by the Association pour la pr
Thierry Stéphane Momo, a professional musician, guitar and bass professor, and independent researcher, has authored "L'Algorithme Lobi," a book that presents a structural and algorithmic study of Lobi music, specifically the "Binkontin" genre from southwestern Burkina Faso. Momo's research aims to uncover the hidden mechanisms governing traditional African music, not to validate it externally, but to reveal the complexity of its inherent knowledge using contemporary tools. He states that Lobi music itself "convened mathematics," rather than him imposing mathematics on it. The book details seven major discoveries derived from analyzing a publicly accessible reference piece, simplifying rich and complex results for better understanding. The work employs scientific tools from physics, acoustics, and applied mathematics to demonstrate that traditional music possesses organized structures that can be observed, measured, and described. One key concept is "mathematical maturity," where music's properties evolve and become more complex as it progresses. His analyses show that the studied music tends towards the golden ratio, or phi, a mathematical constant found in nature and art, suggesting a point of equilibrium. Momo interprets this evolution as a movement towards a critical state, balancing order and chaos, where music achieves high complexity without losing structural coherence. He emphasizes that these findings are based on rigorously developed and refined research protocols, a
The African Forum for Innovations in Occupational Health, Safety, and Well-being AFRISST is scheduled to take place from July 2 to 4, 2026, in Ouagadougou. Organized by Sahelors Consulting and Arobase Communication, the event aims to gather professionals in occupational risk prevention, including occupational physicians, HSE managers, university researchers, public decision-makers, technology providers, and international institutions. Dr. Sounkalo Djibo, in an interview, highlighted the scientific and strategic foundations of AFRISST, its implications for African businesses, and the normative ambitions of the Ouagadougou Charter. Dr. Djibo explained that the forum's "African" scope reflects the belief that solutions for occupational health and safety OHS in Africa cannot solely rely on European or North American standards. He cited the example of heat exposure limits, which are often calibrated for different climatic and physiological contexts than those found in sub-Saharan Africa, where workers frequently operate in environments exceeding 30-33 °C. Ouagadougou was chosen as the host city due to the region's industrial and mining activity and Burkina Faso's growing institutional focus on OHS. Regarding the current state of OHS culture in African companies, Dr. Djibo noted a contrast: multinational corporations and mining operators show increasing maturity with OHSAS 18001 or ISO 45001 systems, while most other companies, including formal SMEs, have not yet integrated prevent
Must ReadThe second edition of the International African Stock Exchange Exhibition SIBA has opened, aiming to promote stock market culture across Africa. Léa Zagré/Rimtoumda, representing the Minister of Economy and Finance, highlighted the initiative's role in democratizing investment and expanding financial inclusion. She noted the growing interest among African citizens in financial matters and their desire to actively participate in economic financing, viewing this as a collective awareness of the importance of local savings for the continent's economic transformation. The exhibition, themed "Financial markets and financial inclusion: how to bring the Stock Exchange closer to the population?", seeks to remove barriers that keep many citizens from financial markets. The goal is to make the stock market accessible to all, including youth, entrepreneurs, traders, farmers, informal sector actors, and employees, enabling them to secure their future and contribute to economic growth. This aligns with a broader vision of economic sovereignty, encouraging investment in the national economy as a civic act to finance businesses, infrastructure, and development projects using local resources. The technical advisor to the Minister of Economy and Finance emphasized the critical need for financing in African economies, particularly for small and medium-sized enterprises, young project leaders, and businesses seeking to innovate. Financial markets are presented as a strategic solution to mobiliz